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by Sjoekje F. Sas(a)bone, LCSW, EMHA – 

Reclaiming the Canvas of Identity

Recently, I completed a painting titled Other. I began painting in acrylics at age 48, entirely self-taught. For me, painting is not a hobby or a project. It is something that presses on me until it finds its way onto a canvas. Like many of my paintings, Other began with something I could not ignore. It started as a memory, then a question, and eventually became an image.

Inspired by Dutch tulips and Indonesian batik patterns, the painting grew into a reflection of identity, belonging, and a lifelong experience of being asked to fit into categories that never fully described who I was.

Alexander and Klaasje Sasbone 1971 wedding photo
Alexander and Klaasje Sasbone 1971 wedding photo

Dreading the Demographic Form

For many people, the word “other” is simply a category on a form. For me, it was a source of anxiety throughout much of my childhood.

From first through eighth grade, one event at school reliably filled me with dread: census forms and demographic questionnaires. Every year, I was asked to identify my ethnicity, and every year I was told I needed to choose only one.

The problem was that I was exactly two.

My Friesian mother immigrated from Holland to America in 1956 at the age of 21. My Moluccan father moved from Indonesia to Holland in 1958, then sailed from France to New York in 1960 at the age of 36.

My parents eventually met at Avio, the Dutch Club in Anaheim, where many Dutch immigrants gathered to celebrate their language, customs, food, and shared heritage.

There was no uncertainty in my mind about who I was. I was Dutch and Indonesian (Indo). Yet the forms rarely reflected that reality. Instead, I was often encouraged—or required—to reduce myself to a single category.

As a child, that felt impossible. How could I choose one parent over the other?

Alexander and Klaasje Sasbone with Sjoekje approximately taken in 1976 in Artesia, CA
Alexander and Klaasje Sasbone with Sjoekje approximately taken in 1976 in Artesia, CA

A Lesson in the Fourth Grade

From first through eighth grade, whenever we completed census or demographic forms, our teachers had us go around the room one by one and announce our ethnicity out loud in front of the entire class. Every year I dreaded it.

My answer was always the same. “I am half Dutch and I’m half Indonesian.”

Just as consistently, I was often told that I needed to choose one.

My response was always the same. “But I’m exactly two.”

One memory remains especially vivid from fourth grade.

When it was my turn, I gave the same answer I always gave: “I am half Dutch and I’m half Indonesian.”

My teacher pressed further and explained that I needed to choose one.

I responded, “But I’m exactly two.”

My teacher then asked, “What is your father?”

I told her. That is what she marked.

I remember feeling that a decision had been made about me rather than by me. The complexity of who I was had been reduced to a single answer.

Years later, I learned that researchers consider ethnic and racial identity development to be an important part of childhood and adolescence. Umaña-Taylor and colleagues (2014) describe these years as a period when young people work to understand and integrate their ethnic and racial backgrounds into a coherent sense of self. Looking back, I realize that my discomfort was never about a census form. It was about being asked to separate parts of myself that I already understood as belonging together.

Sjoekje Sas(a)bone with her father Alexander approximately 1998 San Juan Capistrano, CA
Sjoekje Sas(a)bone with her father Alexander approximately 1998 San Juan Capistrano, CA

The Standoff

Years later, when I was eleven years old, my mother took me to obtain my Social Security card. What should have been a routine appointment became a three-hour lesson in identity and perseverance.

When the employee asked for my ethnicity, I answered exactly as I always had: “Dutch and Indonesian.”

The employee insisted that I choose one ethnicity.

I refused.

My mother stood beside me the entire time and supported me completely. Again and again, both my mother and I explained that I was both.

My mother explained that I was half Dutch and half Indonesian. Then she said: “I am her mother. I am Dutch. Her father is Indonesian.”

I explained that I was half Dutch and half Indonesian.

We kept repeating the same thing because it was simply the truth.

Hours passed.

Eventually I became exhausted. I was on the verge of giving in simply because I was tired of arguing. I remember thinking that perhaps it would be easier just to provide the answer they wanted.

Then something changed.

The employee consulted a supervisor and returned with a different answer. I could list both.

At eleven years old, I learned two lessons that have stayed with me for the rest of my life: never surrender your identity to make someone else comfortable, and never give up too soon. I learned that sometimes the breakthrough comes right when you feel like giving up.

Looking back as an adult, I realize that what felt so important to me at age eleven was not simply a disagreement over paperwork. It was about identity. The American Psychological Association’s Race and Ethnicity Guidelines in Psychology recognizes that race and ethnicity are complex social and cultural constructs and emphasizes the importance of understanding how individuals define and experience their own identities (American Psychological Association, 2019).

Sjoekje Sas(a)bone with her mother Klaasje, taken in 2026 at Descanso Gardens in La Cañada Flintridge, CA.
Sjoekje Sas(a)bone with her mother Klaasje, taken in 2026 at Descanso Gardens in La Cañada Flintridge, CA.

The Incompleteness of “Other”

When the category “Other” first appeared on forms, I remember feeling relieved. At last there was an option that acknowledged I was not simply one thing. Yet even that category felt incomplete. “Other” recognized that I existed, but it did not describe who I was. It could not tell the story of a Dutch mother and an Indonesian father. It could not capture the traditions, histories, and experiences that shaped me.

Research examining ethnic classification methods found that the way institutions categorize ethnicity can significantly affect how people are represented and understood. Yao and colleagues (2022) found that broad ethnic classifications can obscure important differences and lived experiences, particularly among multi-ethnic individuals. Reading this research decades later, I recognized something familiar. As a child, I was repeatedly told to choose one identity, as though being Dutch and Indonesian was somehow too complicated for a form to accommodate. Yet my identity was never complicated to me. It was simply the truth.

Indo Sjoekje Sas(a)bone "Other" art piece - May 21, 2026
Sjoekje Sas(a)bone "Other" art piece - May 21, 2026

Layering Tulips and Batik

The painting did not emerge all at once. It developed layer by layer, much like identity itself. I began with photographs of tulips, a symbol closely tied to my Dutch heritage. My dad’s youngest brother, Karel Sasabone, gifted me this batik in 2005, bringing it to me from our island in the Moluccan Islands. I repeatedly used the pattern from this particular batik, the one gifted to me by my uncle and pictured here, in my artwork. By total coincidence, it’s fun to realize that I share a birthday with the famous Dutch painter Rembrandt.

Looking back through the process photos, I realize the painting was expressing something I had known since childhood. The same conviction that led me to challenge a form at age eleven was finding its way onto the canvas decades later. I was never one or the other. I was both.

The irony is that “Other” was once the only category that seemed to acknowledge my existence. Yet it never truly described me. I am not “Other.” I am Dutch and Indonesian. I am my mother’s heritage and my father’s heritage.

A Truth to Honor

This painting became my way of reclaiming that word.

Each tulip carries influences from both sides of my family story, Dutch flowers layered with Indonesian-inspired patterns. The painting may be called Other, but its true subject is belonging. It is a reminder that identity is not something to be reduced, simplified, or divided. It is something to be lived, honored, and carried forward.

Today, when I look at the painting that now hangs before me, I no longer think about a checkbox on a form.

I think about an eleven-year-old girl who refused to erase half of herself.

And I think about the lesson she learned: Being both was never a problem to solve. It was always a truth to honor.

References

American Psychological Association. (2019). Race and ethnicity guidelines in psychology: Promoting responsiveness and equity. American Psychological Association. 

Umaña-Taylor, A. J., Quintana, S. M., Lee, R. M., Cross, W. E., Jr., Rivas-Drake, D., Schwartz, S. J., Syed, M., Yip, T., & Seaton, E. (2014). Ethnic and racial identity during adolescence and into young adulthood: An integrated conceptualization. Child Development, 85(1), 21–39.

Yao, E. S., Bullen, P., Meissel, K., Tiatia, J., Fleming, T., & Clark, T. C. (2022). Effects of ethnic classification on substantive findings in adolescent mental health outcomes. Journal of Youth and Adolescence, 51(8), 1581–1596. 

About the Author

Sjoekje Sas(a)bone, LCSW, EMHA, is a Trauma-Informed Care Program Director with the California Department of State Hospitals and a Licensed Clinical Social Worker in private practice. She earned an Executive Master of Health Administration from the University of Southern California and is a Certified Interpersonal Neurobiology Clinician. A first-generation Dutch-Indonesian (Indo) American, she writes about identity, culture, family history, trauma, and belonging. She began painting in acrylics at age 48 as a self-taught artist and views her artwork as a visual extension of the stories she carries.

The author and publisher disclaim any liability in connection with the use of the information and content of this article.

The Indo Project would like to know...

Resilience and identity are often shaped by the stories we choose to honor. Have you ever felt caught between different cultures or forced to fit into a category that didn’t describe who you truly are? How do you use creative outlets like art or writing to blend your worlds and heal?
Let’s connect in the comments below. Share your family’s heritage story, your creative journey, or what the word “belonging” means to you.

4 Comments

  1. I read your story with great interest. My parents were both of mostly Dutch ancestry with several generations Indies born (as was I post WW2). Unwilling to go to Europe, in 1951 they arrived in New Zealand. I spent my school years as ‘other’. I never quite belonged no matter how hard I tried. I had no relatives in NZ to anchor me. I have always felt somehow an outsider. Now at 80 it is what it is. This is where I live and my children and their families belong. They call me Oma and we all enjoy rijstafel. My and my parents experiences have been woven into a new story for the next generation which can look back with interest and not pain at their inherited history. As you described, labels are methods of control never markers of identity.

    • Dear Liliane,

      Thank you for sharing such a personal and thoughtful reflection. Your description of growing up as “other,” without relatives nearby to anchor you, really touched me. That feeling of being an outsider can stay with us, even as we build a life and family of our own.

      I also have a family connection to New Zealand. My maternal uncle emigrated there, and I have first cousins there who are Dutch and Lebanese. New Zealand was one of the destinations supported through a postwar migration agreement with the Netherlands, so our families’ journeys share a little historical connection, too.

      I especially appreciated what you wrote about weaving your experiences and your parents’ experiences into a new story that the next generation can look back on with interest rather than pain. Being called Oma and sharing rijsttafel are such meaningful ways of keeping that connection alive. Your words remind me why sharing our stories matters: they give our families something beyond a label—a sense of who we were, what we carried, and where they come from.

  2. This story resonates strongly with me, as it’s similar in some ways to my own with an Indonesian father and a Dutch mother. Living in the Netherlands, I wasn’t ever asked to choose an ethnic identity, but the feeling of having two cultural and genetic identities came with a profound sense of never belonging anywhere. A feeling on psychological, emotional and physical levels. Only later in life I made the transition to labeling that feeling to belonging everywhere. As I don’t get overly attached to where I live, that means I can live anywhere and feel at home there. It is a choice.
    As I said I was never asked to choose an ethnic identity. But I did find out at one point, that the Dutch government has me listed as ‘third world’. I still can’t wrap my head around that.

    • Mirella, thank you for sharing your story. I’m touched that mine resonated with you. Your shift from feeling you belonged nowhere to feeling you belong everywhere is such a meaningful perspective, especially knowing how deeply you felt that lack of belonging. I can understand why being given that label would be painful and difficult to make sense of. Our identities hold so much more than a category can capture. I’m grateful that The Indo Project gives us a place to connect and recognize parts of ourselves in one another’s stories.

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